In this episode of the ClassicalU Podcast, Jesse Hake speaks with Dr. Shannon Valenzuela about her new course releasing this spring on medieval literature and the harmonics of story. Beginning with Boethius’s Consolation of Philosophy and culminating in Dante’s Divine Comedy, Dr. Valenzuela shows how medieval authors understood stories as reflections of cosmic order, proportion, pattern, and harmony—a “story math” that structures their designs and animates their themes. Her approach integrates literature with the the quadrivium of arithmetic, geometry, music, and astronomy. The conversation ranges across texts such as Beowulf, Cædmon’s Hymn, The Dream of the Rood, and Judith, revealing how Anglo-Saxon poetry unites heroic culture with Christian theology. Turning to Chaucer’s Canterbury Tales, including the General Prologue, Knight’s Tale, Wife of Bath’s Tale, and the comic Tale of Sir Thopas, the episode highlights medieval play, parody, and invention. Dr. Valenzuela also explores medieval drama through The Chester Play of Noah’s Flood and The Second Shepherds’ Play, alongside continental works like Christine de Pizan’s City of Ladies and Chrétien de Troyes’s Knight of the Cart. Throughout, the discussion contrasts harmony with disorder by examining monstrosity, transgression, and imbalance, engaging thinkers from Aristotle’s Poetics to Hildegard of Bingen. The episode invites educators to recover a vision of reading and learning in which literature, theology, mathematics, and music together disclose a world that is meaningful, ordered, and alive. Watch for Dr. Valenzuela’s forthcoming ClassicalU Course “The Harmonics of Medieval Storytelling” in the early spring of 2026.

Listeners may also be interested in other ClassicalU courses mentioned such as Junius Johnson’s “Teaching Medieval History: The Age of Light”and “Women in the Liberal Arts Tradition”.